the weak semiotics of dance

Dance has a weak semiotic code, yet any physical technique is a philosophy so much so that mastery of a technique is ideology embodied, possibly to the point of pure philosophy.
/ Moriah Evans - in the antology "To do"

this weak semiotic code makes possible the constant sensibility of the ideology embodied - or rather the other way around: an ideology or line of thinking (and acting) that is sensed, in contact with experience, will allways have a weak semiotic code.

let's try to avoid the mobilization for signs and symbols alone.


Kass,